91
At 91, Gladys sips bourbon from her grandmother’s floral teacup. It’s eleven in the morning. The teacup shakes slightly in her veined, big-knuckled hand. The saucer clinks several times as she sets it down. She’s given up reading the newspaper because her eyes are shot and she feels reading glasses are gauche. Instead of reading she listens to the radio.
Her radio, an original transistor type, picks up programs broadcast on the FM signal. A light jazz music traipses through the air. She wears a light cotton gown. White, wispy hair dances around her face, catching the morning light. Her eyes are set deep within a wrinkled face. Looking out her window to the yard, a young Hispanic man mows and trims.
Her lips, moistened from the bourbon, tense every so often as she listens to the irritating man on the radio who talks between her songs. As he prattles on, she closes her eyes and sees the lovely vignettes of her childhood. She dwells here more and more, in the thoughts of a youth, where memories are so vivid in her mind. She revels in her recollections and the emotions they bring. They take her back to times long before the Alzheimer’s became the focal point of her life. Mornings are the best, with her bourbon, her light jazz and her youth.
She remembers the small apartment where she, her sister, and parents lived. It was an Irish neighborhood on the cusp of Harlem in the thriving days of New York City’s bustling renaissance. She remembers ‘rushing the can’ to her parents as they listened to Benny Goodman. The large can, coming from the corner bar, was filled with cold beer. At nine years old, she would give the slip of paper to the bartender for credit at the bar from her father. She remembers the smoky bar. She remembers neighbors sitting on the stoops of their buildings. She remembers her parents would drink the beer out of clear glasses while dancing in the kitchen.
Her older sister, Esther, would come home with stories from The Cotton Club where she was a coat check girl. She told her parents about the fur coats, the shimmering clothes and way the dancefloor pulsed with people dancing, drinking, smoking. Gladys would sit in the window overlooking the alleyway watching her parents dance, wanting to be older. She remembers her mother moving to the icebox, her hips swaying to jazz orchestra, to get refill the glasses. When her mom would be busy, Glady’s dad would pluck her from her window seat and spin her around to the jumpin’ and jivin’ music. She could smell the beer on his breath and the smoke on his clothes.
At her kitchen table, the ninety-one-year-old Gladys brings a hand up and feels the cotton collar of her house gown. She thinks of the sable furs her sister described from her job at The Cotton Club. In her silent reverie, Gladys picks up the cork from her Maker’s Mark bourbon bottle. The weight in her hand reminds her of the Bazooka Joe bubble gum her mother would give to her. She’d unpeel the wrapper, read the joke to her parents and they would hoot and holler with tipsy delight.
Gladys’ toe is bouncing along to the jazz station on her FM radio. The bouncing reminds her of jumping on the bed as she and her sister giggled together about a Barney Coogle cartoon called “Patch Mah Britches”. The character, and his big bottom, are covered by trousers with a hole in the seat. They fall back onto the bed laughing at the picture of the man’s underwear poking through his britches.
The radio goes to a commercial and her thoughts stop as an advertisement to cure erectile dysfunction dissipates the fond visions in her mind. She looks wide-eyed at the table. A plate from dinner with her remaining meal still sits on the table next to a pill dispenser.
Did she forgot to eat last night?
Oh dear, whose pills are those?
She sips her bourbon as a commercial for feminine hygiene products for maximum flow days causes her to scoff. She looks at the table again where her teeth are submerged in a glass next to her uneaten meal. She touches her mouth as if she’s surprised her teeth are across the table from her.
The music begins again and again, she is now skipping down the sidewalk beneath her apartment, throwing a stone onto the hopscotch square. She hops deftly from one square to another, leaning forward to pick up the stone. A siren sounds down the street, she looks up as folks lean out their windows to watch the fire truck ramble by with its large water tank as firefighters hang off the sides.
Finishing her hopscotch, she says hello to Mrs. Finnegan, the fat lady across the hall who wears enormous, floral dresses and hands out candy. She gives Gladys three pieces of salt water taffy. She puts the candies into her pocket and runs upstairs to share with Esther. The radio in the kitchen is playing a rumba song. Esther grabs Gladys and they try to copy the dance moves they’ve watched her folks do. They both trip over each other, falling into a pile, giggling on the kitchen floor.
“Mom!” Gladys hears the sharp words and thinks her mother is yelling at them.
But, where’s Esther?
The knock comes again to her door. The door to her house, not her parent’s apartment.
Gladys walks to the door. “Yes?” she says.
“Mom,” a woman says again. “Open up, I have your groceries.”
“Groceries?” Gladys questions laying her hand on the door. “I didn’t order any groceries.”
“Mom,” the woman says, “it’s me. Your daughter.”
Gladys opens the door and looks at the woman and says, “I don’t know. I need to call my daughter to see if she ordered these groceries.”
“Mom,” the woman said. “I’m your daughter.”
“Oh…” Gladys said.
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